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star - James Caan; average rating - 8,5 / 10; year - 2013; Isao Takahata; liked it - 30788 Votes; Story - Deep into a swaying and lush bamboo forest, Okina, an elderly farmer, stumbles upon a mysteriously glowing bamboo stalk, that from within, a minuscule fairy-like creature enfolded in a royal robe sprouts before his amazed eyes. Without delay, the ageing man rushes to his wife, Ona, only to witness, much to their surprise, the tiny nymph transform into a baby. In the end, as the infant grows exponentially into a fine girl, the humble couple will take her to the capital, Kyoto, to make her an aristocratic and well-mannered lady worthy of Japan's most powerful suitors. But is this Princess Kaguya's fate?

Sockshare apple 1440p hdr 30 fps kaguyahime no monogatari free. Sockshare apple 1440p hdr 30 fps kaguyahime no monogatari 2. I hate to say it but Hayao Miyazaki and Isao Takahata are both fools and idiots, blindly thinking that they changed people's perception about animation. When in reality though, they have done absolutely nothing for animation at all. As a example of this, my parents still treat animation as kiddie fodder.

Soo cute. Sockshare apple 1440p hdr 30 fps kaguyahime no monogatari 8. Sockshare apple 1440p hdr 30 fps kaguyahime no monogatari 15. Its a great movie very educational. Sockshare apple 1440p hdr 30 fps kaguyahime no monogatari 5. Where I can see the whole movie? please. Sockshare apple 1440p hdr 30 fps kaguyahime no monogatari episode 1. Sockshare apple 1440p hdr 30 fps kaguyahime no monogatari 3. The film was absolutely brilliant, although there was something I really disliked. =SPOILER ALERT=  At the end Sutemaru was ready to abandon his son and wife without a second thought just so he could be with Kaguya, that's kind of a bad message to convey.

The piano at the end gave me she shivers. Anyone know what it is. Kotaku East 8/19/13 New Studio Ghibli anime dated! Kaguya-hime no Monogatari (The Tale of Princess Kaguya) was originally supposed to be out this summer, but it was delayed to fall because the storyboards weren't finished. Now, according to IT Media, the anime finally has a release date in Japan: November 23. Brian Ashcraft 31 Save. “And the thirst was real” Yeah we know. Here's a reason to stay on this planet. Sockshare apple 1440p hdr 30 fps kaguyahime no monogatari 10.

Sockshare apple 1440p hdr 30 fps kaguyahime no monogatari 9

If not for the story, than surely for the art work, this film is a masterpiece. The pictures were perfect, like a moving water painting that portrayed spring time. But not only the scenery was stunning; the characters were drawn in detail, making them look realistic and closer to a real person. The story was nice as well. The description made it look like the story of Thumbelina or something, but it's not. I think it's based on a folklore Japanese tale, but I'm not sure. Still, it was very interesting, and had this rustic vibe, with the moon princess being sent to earth to live among the humans. The fantasy element is there, however, the story contains some real human emotions and situations, with manly the love for the countryside life and the family bond to overpower any other story of romance or magical kingdoms. So, 8 out of 10.

 

I cannot believe all those people saying this is terrible and lazy! Do you guys KNOW how hard sketched animation is! I've been practicing with this kind of animation for a good 6 years, and am nowhere near mastering it. This movie style is absolutely stunning. Its simplistic style is years of work, and doesn't look Lazy to me. This film was purposely made this way to reflect the elegant style of old painted Asian art. I see this, and it's like looking at an old Asian folktale literally being brought to life. I'd give anything to be able to produce something as breathtaking as this. As an amateur animator, I hope to reach even half the skill it takes to make something like this. I know everyone has their own opinions. But I think a person must be blind to not see the hard work, time, and effort put into this. The different style used in this film is one of a kind.

Wow. that music. D. Takahata fue un genio. Sockshare apple 1440p hdr 30 fps kaguyahime no monogatari 12. Sockshare apple 1440p hdr 30 fps kaguyahime no monogatari 6. Ive watched this film and honestly I though it was the most loveliest films I have ever people may have not liked it or find it boring but honestly... I enjoyed watching it.



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That moment when she prefers to live in a monastery than to see by her loved ones dying

Sockshare apple 1440p hdr 30 fps kaguyahime no monogatari tv. Takahata's Kaguya is based on the Japanese folktale The Tale of the Bamboo Cutter, considered one of the first early examples of prose. It's a very Eastern narrative - Kaguya is part of a divine race who lives on the moon, and despite her highs and lows on Earth, is destined to return someday. I am reminded of a similar Chinese folktale, about a beautiful but vain woman who abandoned her earthly life and husband in an attempt to reach the heavens, but flew much too short, and was destined to spend the rest of her days on the moon. Neither reach the gut wrenching lows of Takahata's Grave of the Fireflies, but Kaguya's tale is tinged with hints of regret, nostalgia, and longing for various things.
It's an increasingly rare but stunning example of traditional style animation, as per Ghibli standards. This one is even more unique. The old folktale is brought to life from its traditional roots; dark lines streak across the frame and fade out as if the brush needs more ink, splashes of watered down colours seep into the picture, and like the old scroll paintings, the background is often non-existent, blank and white. This is both good and bad - in some instances the film demands that the depth of the background be visible in order to immerse you into the world: the bustling marketplace in the capital, but more importantly, the grassy hills and trees of the countryside that she treasures the most of all. It's less concerned with light and shadow and detail (like many animes) and more concerned with a simplistic and serene portrayal of the story. But it also lends itself to the film's emotion - in one particular scene Kaguya is frightened and angry at being a plaything for her father to parade and put on a pedestal, and so she escapes in an otherworldly manner into the wilderness. Immediately the colour palette is muted and the shadows grow large and frantic. The art suddenly becomes frenzied as if the painter is feeling the same thing as Kaguya; the lines are streaky and messy and chaotic, the watery smooth ink is replaced by rough charcoal outlines. It's something that cannot be captured in a still frame, her fluid and furious movement frenetic. Her brows furrow (for the last time in a while) in pain and anger as she sheds layers of fine robes and runs through the streets underneath a gigantic full moon (foreshadowing her past and future. It's a remarkable scene. This is similar to the suitor's hunt for the jewel of a water dragon's neck. This too is stunningly portrayed, imagination fully realised as the embodiment of the deep sea roars and splashes against the tiny boat. We know that such fantastic and terrible things do not exist on this Earth, but can't we pretend?
I have seen some complaints about the runtime and how some sequences should simply be trimmed. I do not agree. Aside from the absurd notion that shorter is better, Kaguya's life on Earth is much more substantial when showing us everything; every stolen honeydew melon in the summer heat, every childhood song, every delicious communal pheasant stew (or lack of. The way that the baby Kaguya's animation and story are handled is sublime and tender. True, she is still growing up way too fast (actually a device that is not needed, seeing as she slows down later in life to match the adult Sutemaru anyway. But we are allowed to grow up with her, every step along the way. Another director might have utilised a two minute or so montage to illustrate her early years, especially those first steps as a toddler. Takahata allows us to take delight in growing up with our very own little bamboo.
Hisaishi's scores is up to his usual standards, with one track, The Procession of Celestial Beings, being the standout. It's a lively tune that trades the grace and serenity of the xylophone, triangle and flute with the heavier majesty of the brass and strings. At first I found it a little jarring, but on refection it's oddly appropriate. For the moon people, it's of course a celebration that their princess is returning. It's a stark contrast to the tragic farewell of Kaguya to her earthly life. Another thing, the English dub is surprisingly good (although it is Ghibli. Often I preferred it to the original Japanese because Moretz is less shrill and softer, more mature as she should be. For the few instances of singing however, the Japanese is a must, more beautiful and sincere than the awkward translation. And of course the songs are vital to the narrative.
True, the themes are simple and we've seen it before. The longing for the idyllic childhood, the rough damsel in a refined society, the rebellion against parental and societal expectations, the what-could-have-been romance etc. But it's done with such nuance and emotional depth. We have the father, who's good intentions become a classic desperation for status and wealth and recognition in the ignorance of his daughter's true desires. Kaguya's struggle is something we have all experienced before in some ways, but her individual circumstances are tragic. Even with all the male suitor's fighting over her sexuality and her unhappiness with conforming to the court, her earthly existence is a meaningful one compared to an eternally stagnant nirvana on the moon. How many films can elicit such pain and nostalgic longing with such a simple but haunting song? The Tale of the Princess Kaguya is about life after all, the ebbs and flows of joy and sadness, the sudden but inevitable end. If Hollywood has made this, it would be about life too, but it'd be an optimistic bildungsroman. Not that there's anything wrong with that of course, but we do need more films like this.

Sockshare apple 1440p hdr 30 fps kaguyahime no monogatari series. SOCKSHARE APPLE 1440P HDR 30 FPS KAGUYAHIME NO monogatari. Sockshare apple 1440p hdr 30 fps kaguyahime no monogatari 7. Jirko Proč už natočíš Prosím toč. Looks like no one’s replied in a while. To start the conversation again, simply ask a new question. Question: I am currently working on an iMovie project that has both 60 fps and 30 fps content. The unfortunate thing is that iMovie will only let me export at 30 fps, instead of having 60 fps. Does anyone know of a solution to this? Thanks. MacBook Pro with Retina display, macOS High Sierra (10. 13. 2), Late 2012, 128 GB, Core i5 Posted on Jul 4, 2018 9:46 PM Answer: Hi, Set your project at 60 fps and then share out (export). iMovie sets the frame rate at the frame rate of the very first clip that is added to a newly created project. However, as QuickTimeKirk says, going from 30 to 60 will result in stuttery footage for the 30. Going from 60 to 30 will slow motion the 60. Here's a link to the online Help menu that explains frame rates and how to change them: -- Rich Posted on Jul 5, 2018 7:58 AM.

I wish to be the audience to witness the orchestra by him. Sockshare apple 1440p hdr 30 fps kaguyahime no monogatari 4. I am impressed.

 

In this post, you'll learn about the basic  GoPro settings: resolutions, frame rates, and field of view (FOV). Both what they are – and the best time to use each one. Watch this video post:   12 GoPro Hero4 video settings Before we get into all the details, here is a quick reference guide for GoPro settings: resolutions, frame rates, and field of view: Quick Reference: 4 GoPro Settings for Video While it's great to have countless settings, it can be kind of overwhelming (and unnecessary). Here are the 4 GoPro video settings you should use: Regular Video: 1080p at 60 fps. This is your everyday video setting. The 1080p means you're shooting in HD video. Because you're capturing at 60 frames per second, you can create slow motion video if you want. Quality and versatility. Super Slow Motion: WVGA at 240 fps. This is a low-resolution video setting – but because it captures at 240 frames per second, it is perfect for super slow motion video. Possible subjects include  fireworks, splashing water, spectacular jumps, and exploding objects. POV (Point of View): 1080 SuperView. This HD video setting is perfect for any point-of-view filming. This includes helmet and chest cams – because it captures more height than the standard GoPro video settings. Shoot at up to 80 frames per second. Slow Motion POV: 720 SuperView. This has the same aspect ratio (4:3) as 1080 SuperView – but with lower resolution. The benefit of this setting is that you can shoot at 120 frames per second – great for slow motion action shots. A note about GoPro SuperView:  SuperView (both 720 and 1080) shoots at the 4:3 aspect ratio (capturing more height) and squishes it into the 16:9 video format. Have a GoPro Hero4 Silver? Here are the basic settings for the Hero4 Silver. Guide to GoPro Settings: Resolutions, Frame Rates, and FOV Okay, now for all the details about  GoPro resolutions, frame rates, and FOV. It's true that the GoPro is pretty simple to use. It has just three buttons – each with two features: Settings/tag button: located on the side Power/mode button: located on the front Shutter/select button: located on top But to get the best footage, you'll need to understand three things: resolution, frame rate and field of view (FOV). Here is an overview of what the Hero4 Black can shoot. Let's consider each feature in detail. What is Resolution? In the context of GoPro photography, resolution refers to the pixel dimensions of the video that the camera will capture. Higher resolution means better quality video. On the other hand, the higher the resolution, the larger the file size and the faster the memory card will fill up. What is Frame Rate? Frame rate refers to the number of frames (or images) per second. Standard video is shot at 30 frames per second (fps). Frame rates above 30 are required for producing smooth slow motion video. GoPro cameras shoot between 24 and 240 fps. Even at just 60 fps, you can slow the video to half speed, and maintain crisp HD video. What is Field of View? Field of view (FOV) refers to the amount of the scene that the camera can capture. To put it in perspective, if the camera could capture everything in front of the lens, it would have a 180-degree FOV. With the standard GoPro ultrawide FOV, you capture almost everything physically in front of the lens. Ultrawide: 170-degree FOV Medium: 127-degree FOV Narrow: 90-degree FOV Below the video, I'll explain the settings in more detail. GoPro Settings: Resolutions, Frame Rates, and Field of View Watch on YouTube Learn about shooting in Protune for the best GoPro color. GoPro Resolutions, Frame Rates, and Field of View GoPro Resolution Settings This chart shows the relative size and aspect ratio of each setting. Here are the available video resolutions in a GoPro camera. While these nine settings will probably feel overwhelming, fear not. At the beginning of the post, I included a breakdown of the 4 GoPro settings you should be using. Video resolution: screen resolution (width x height) 4K Video: 3840 x 2160 This is the highest GoPro resolution. You can shoot at either 24, 25, or 30fps. Normal video is 30fps. Despite its lower frame rate, this setting is great for wide panoramas or sunset time lapse videos – really anything that is not moving. If you can shoot it on a tripod (or another fixed mount) then 4K might be the right setting. Avoid the 4K setting for any action shots. The frame rate just won't be able to keep up. 2. 7K: 2704 x 1520 This is a great setting because you can shoot at this super high resolution and capture at a frame rate from 24 up to 60. This is great for mounted shots. If you plan on slowing the action down, I recommend 1080p at either 60 or 80fps. 1440p: 1920 x 1440 Use this video resolution for all point of view (POV) shots. This is essentially the same as 1080p – except that it is taller. It is shot at an almost square 4:3 aspect ratio – capturing more of your point of view: skis, handlebars, horizon, or trail. Use this for chest cam, head cam or any setting where you want to see more above or below. In post production, just stretch horizontally to fill the standard frame. 1080p: 1920 x 1080 This is the most versatile filming resolutions. You can shoot from 24 to 60fps – allowing for fluid slow motion. This is great for b-roll, car mounted shots, and follow cams. If you aren't sure of the best resolution, choose this one – at 60fps. It is HD and allows you to slow down the action if you wish. 1080 SuperView: 1920 x 1080 This is essentially the same as 1440p – but stretched to fill a standard 1080p frame. You'll get the same extra above / below footage, but without having to adjust in post-production. This setting is best for POV body mounted shots (chest or head mounts) because it gives more of what you are actually seeing in front of you. 960p: 1280 x 960 This is similar aspect ratio to 1440p, but a lower resolution. It is actually the same as 720p (see below) but has more height in the frame. The reason to choose 960p instead of 1440p is that it can film at up to 120fps – allowing you to slow the action to a quarter of its original speed. This is great for the perfect POV slow motion video. 720p: 1280 x 720 This is great for ultra high slow motion. If you don't need the above/below frame (like 960p offers) then this is a great choice. Consider this setting for Instagram videos and whenever you don't need that high resolution. 720 SuperView: 1280 x 720 This is very similar to 1080 SuperView but with lower resolution. Shoots at the 4:3 aspect ratio with the extra view above and below and squishes it into the 720 frame. Great for POV videos. WVGA: 848 x 480 This is the lowest resolution mode – and allows shooting at 240 fps. This has limitations on large screens but is great for a web video or Instagram. Use this to experiment with super slow motion effects. Resolution vs Frame Rates In order to get a higher frame rate, you need to reduce your resolution. Lower resolution essentially means a lower quality video. Before you decide on the resolution or frame rate, you need to decide on the video you want to produce. What is the end goal of the video? How to Choose Your GoPro Field of View There are no rules when choosing FOV. You'll want to experiment with these different settings and see how they affect your footage. Wide: To get an immersive view and smoother footage, choose wide FOV. Medium and Narrow: Best if you are sure that you can shoot a steady shot. Maybe on a stationary mount or tripod. These two FOV's can give a totally different feel than the standard wide angle GoPro shot. Your Turn What's your question or comment about GoPro resolutions, frame rates, and field of view? Please join me in the comments below. More reading: Learn how to eliminate GoPro lens fog.

Sockshare apple 1440p hdr 30 fps kaguyahime no monogatari 1. Studio Ghibli. still proving that 2D animation is king when in the hands of the right people. Super XDD 😍😍😍.

  1. Columnist - Hayama Akito
  2. Bio: Because videogames, motherfucker.

 

 

 

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